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19 December 2020
9th SS Hohenstaufen - Jagdpanzer IV L/48
05 December 2020
9th SS "Hohenstaufen" - Support Squad
I'm still happily beavering away on my SS force for Arnhem. The core three squads are done, so here's a fourth squad as a support choice. In order to differentiate these from the core squads I gave them camouflage equipment in the autumnal version of the Oak Leaf camouflage pattern. A small tutorial is to follow soonish... once I find my bloody phone.
08 November 2020
9. SS "Hohenstaufen" - Sd.Kfz. 251/3 Ausf. D
Todays offering is probably a little unusual in that it would have little use in a wargame except for maybe a mission specific objective or the like. But as I'm a big fan of such things, especially when they're almost little vignettes in themselves, I got me one of those clever upgrade sprues from Rubicon Models to convert a standard Halftrack into a mittlerer Kommandopanzerfagen communications vehicle.
30 October 2020
2° Squadra del Fanteria Italiana & R35 tank
I've already finished the second squadra for my Italian force for CoC quite some time ago. Yet it was only today when I finished a Renault R35 tank to go with them that I felt like taking some photos.
27 September 2020
Panzervernichtungstrupp
Following a (not so) recent discussion over on the TooFatLardies forum I felt the urgent need for a full Panzervernichtungstrupp/ Tank Hunter Squad. The miniatures on offer didn't really float my boat, so I reverted back to scratch building using different bits from Warlord Games range of plastic WWII miniatures and metal Panzerschrecks from Heer46.
22 September 2020
9. SS-Panzer-Division "Hohenstaufen"
01 May 2020
Waffen-SS - Erbsentarn Colour Guide
Thus I went for the Oak Leaf pattern for all of these items as this was the most widely distributed at the time.
My painting style is based on the so-called Triad-System or Foundry System in which you use a Shade as the darkest colour. Then you paint over it using what is called a Base Colour (in general the actual colour you want to achieve for the piece you're just painting) leaving the Shade show only in the folds and recesses, followed by a Highlight on the points which will catch the most light. However, I'm using intermediate steps to make the transitions between the different colours much smoother.
Thus typically the steps I use would look somewhat like:
Shade - 50/50 mix Shade/Base - Base - 50/50 mix Base/Highlight - Highlight
In general what I'll give you in this tutorial is the three colours as if used as simple triads. If you prefer the more elaborate approach just add in the intermediate steps mentioned above, or start from an even darker Shade or end with a lighter Highlight.
If fractions in brackets are given these are just approximations. Just try what looks best to you.
Note: I haven't documented every single step for this Colour Guide, so you might want to refer to some of the guides I wrote earlier. To do so just go to the top of the page where you'll find a link to a page containing direct links to all the Colour Guides I wrote to date.
Step 3:
Now dark spots are randomly applied next and partially on top of the light spots using AC Fieldgrey 2nd Shadow. Any other dark-greyish green can be used just as well. Don't use pure black though as the contrast would be too stark
Step 4:
Now the last layer of bigger splodges is applied using VMC 70.881 Yellow Green. As before make sure not to cover your black lining but instead let the different coloured spots slightly overlap
Step 5:
Now comes the fun part. The small dots. Using a brush with a sharp tip I painted small dots of VMC 70.871 Leather Brown over the brighter (i.e. Sand Brown and Yellow Green) spots. Don't bother with spots on the Dark Green as they'd disappear due to lack of contrast
Step 6:
This is followed by small dots of AC Fieldgrey 2nd Shadow. Don't over do it as less is sometimes more
Step 7:
Now in a final step small dots of VMC 70.876 Brown Sand and VMC 70.857 Golden Yellow are painted on top of the darker areas. It's not necessary to paint dots on the brighter areas as with the dark spots before these would disappear do to lack of contrast.
26 April 2020
Waffen-SS - Eichentarn Sommer Colour Guide
Be that as it may, I've done yet another Colour Guide some of you might find useful, especially those preparing for the release of the long anticipated "Arnhem" supplement for Chain of Command.
Todays topic is the Eichentarn camouflage (oak leaf camouflage pattern) in its summer version as used by the Waffen-SS on Zeltbahnen, camouflage smocks and helmet covers.
My painting style is based on the so-called Triad-System or Foundry System in which you use a Shade as the darkest colour. Then you paint over it using what is called a Base Colour (in general the actual colour you want to achieve for the piece you're just painting) leaving the Shade show only in the folds and recesses, followed by a Highlight on the points which will catch the most light. However, I'm using intermediate steps to make the transitions between the different colours much smoother.
Thus typically the steps I use would look somewhat like:
Shade - 50/50 mix Shade/Base - Base - 50/50 mix Base/Highlight - Highlight
In general what I'll give you in this tutorial is the three colours as if used as simple triads. If you prefer the more elaborate approach just add in the intermediate steps mentioned above, or start from an even darker Shade or end with a lighter Highlight.
If fractions in brackets are given these are just approximations. Just try what looks best to you.
Note: I haven't documented every single step for this Colour Guide, so you might want to refer to some of the guides I wrote earlier. To do so just go to the top of the page where you'll find a link to a page containing direct links to all the Colour Guides I wrote to date.
Step 2:
Random splodges and small dots of either AC Fieldgrey 2nd Shadow or VMC 70.896 Camo Extra Dark Green are applied liberally
Step 3:
Dots of different sizes of 70.850 MediumGreen are painted on top of the Dark Green splodges. Make sure not to completely cover these over
Step 4:
Highlight the Medium Green dots using VGC 72.030 Goblin Green. Yet again make sure not to cover too much of the darker colours
Step 5:
Finally use VMC 70.825 German Camo Pale Brown to highlight the brown areas of the fabric. Make sure not to cover the Medium Brown in the recesses and leaving a little space around the green splodges. This would probably work just as well when done directly after step one, but I like the look, thinking it adds a little more substance to the green areas
So, here we are. Nice and simple Oak Leaf Pattern Camouflage for your SS thugs. Admittedly I still don't feel comfortable to paint a force of these but for Arnhem there's not much choice on the matter. At least when I don't want to restrict myself on the more obscure proceedings around the edges of the cauldron, which might still offer some fun though.
27 March 2020
Revisiting the French-Indochina War in Greyscale
Figures by Empress Miniatures |
20 March 2020
Princess Patricias Canadian Light Infantry - 1st Section... and some KSK
16 March 2020
Some much needed terrain at last
01 March 2020
Cars and the issue of the "perfect" scale
24 February 2020
Final Soviet Infantry Section... for now
20 February 2020
Early War German light mortar
18 February 2020
Cats big and small
14 February 2020
Nun with gun
As I want to take advantage of a ride with Lady Sarah's Balloon to Snow Lord's Peak I needed a 'female' miniature of some kind. Luckily enough there was one in a recent order from Wargames Foundry...
07 February 2020
Vintage car for Schloß Itter
05 February 2020
Hans! Hände hoch!
A last stand you say? Well, if there’s been one iconic last stand in WW2 than it must clearly have been the Battle for Arnhem during Operations Market and Garden. Of course there were others too but this one instantly sprang to mind and coincidentally I'm slowly collecting a force of Paratroopers for it.
Paras on their way to the bridge |
21 January 2020
Soviet Colour Guide
Luckily I had still some assembled Warlord Plastic Soviets lying around. So the perfect excuse to finally get that Tank Rider Platoon finished.
-Figure painted earlier- |
My painting style is based on the so-called Triad-System or Foundry System in which you use a Shade as the darkest colour. Then you paint over it using what is called a Base Colour (in general the actual colour you want to achieve for the piece you're just painting) leaving the Shade show only in the folds and recesses, followed by a Highlight on the points which will catch the most light. However, I'm using intermediate steps to make the transitions between the different colours much smoother.
Thus typically the steps I use would look somewhat like:
Shade - 50/50 mix Shade/Base - Base - 50/50 mix Base/Highlight - Highlight
In general what I'll give you in this tutorial is the three colours as if used as simple triads. If you prefer the more elaborate approach just add in the intermediate steps mentioned above, or start from an even darker Shade or end with a lighter Highlight.
If fractions in brackets are given these are just approximations. Just try what looks best to you.
Note: I haven't documented every single step for this Colour Guide, so you might want to refer to some of the guides I wrote earlier. To do so just go to the top of the page where you'll find a link to a page containing direct links to all the Colour Guides I wrote to date.
Step 1: Brown Uniform
I might do another Colour Guide on green-ish uniforms later but my existing force sports brown, so that's what I went for.
A: VMC 70.826 German Camouflage Medium Brown
B: VMC 70.921 English Uniform
C: VMC 70.819 Iraqui Sand + 70.921 English Uniform (7/3)
Step 2: Rolled Greatcoat
Yes, that's right. It's no blanket, it's a rolled greatcoat some of the figures are wearing. It was used as a blanket as well, though. Allegedly it was worn this way to give added protection in a bayonet fight. Don't know if that's true but it definitely was a custom introduced well before WW2.
When looking on the Internet for Soviet WW2 Uniforms you often happen across Reenactors wearing brown greatcoats. These were only introduced in the Cold War era but are readily available and dirt cheap, so that's what many seem to go for. Some of the Soviets I painted earlier sport brown greatcoat rolls, so you see a little research before delving into a project would sometimes help.
So, the "correct" colour for a Soviet WW2 era greatcoat would be grey. Admittedly a brownish grey, but still grey.
A: VMC 70.889 USA Olive Drab
B: VMC 70.889 USA Olive Drab + VMC 70.884 Stone Grey (4/1)
C: VMC 70.884 Stone Grey + VMC 70.889 USA Olive Drab (4/1)
Step 3: Green Helmets
Like with many other armies Soviet helmets came in a variety of different shades. Personally I think a strong green works well with the brown uniform as it adds some much needed contrast.
A: VMC 70.889 USA Olive Drab
B: VMC 70.894 Camo Olive Green
C: VMC 70.881 Yellow Green + VMC 70.894 Camo Olive Green (3/2)
Step 4: Webbing pouches, rifle slings and Putties
Putties and pouches also came in a myriad of different hues of greens and browns. I went for a very light, almost white canvas for the pouches to represent undyed linen and a marginally darker colour for the putties.
Putties:
A: VGC 70.062 Earth (VMC 70.983 Flat Earth would work just as well)
B: VGC 70.062 Earth + VMC 70.819 Iraqui Sand (1/1)
C: VMC 70.819 Iraqui Sand + VGC 72.101 Off White (1/1)
Webbing:
A: VGC 70.062 Earth + VMC 70.819 Iraqui Sand (1/1)
B: VMC 70.819 Iraqui Sand
C: VGC 72.101 Off White + VMC 70.819 Iraqui Sand (2/1)
Step 5: Brown leather equipment
Soviet leather equipment was generally not blackened. So I went with a reddish brown to represent slightly aged natural leather.
For a change I used the colurs straight out of the pot, so no mixing required at all.
A: VMC 70.895 Hull Red
B: VMC 70.982 Cavalry Brown
C: VMC 70.818 Red Leather
D: VMC 70.981 Orange Brown
Step 6: Wooden rifle stocks
When I'm after a more aged look for treated wood I use a darker triad than I did in my Guide on British Paratroopers.
A: VMC 70.985 Hull Red
B: VMC 70.984 Flat Brown
C: VMC 70.984 Flat Brown + VMC 70.876 Brown Sand
That's how they should look when photographed properly (older figures) |
19 January 2020
Help! The pre-game barrage ruined my game - Musings after a particular bad experience
15 January 2020
British Paratroopers Colour Guide
She has probably done way more research for her British Airborne Project (which by the way is also actually finished) than me. So if in doubt I'd go for her paint suggestions.
Model painted earlier |
My painting style is based on the so-called Triad-System or Foundry System in which you use a Shade as the darkest colour. Then you paint over it using what is called a Base Colour (in general the actual colour you want to achieve for the piece you're just painting) leaving the Shade show only in the folds and recesses, followed by a Highlight on the points which will catch the most light. However, I'm using intermediate steps to make the transitions between the different colours much smoother.
Thus typically the steps I use would look somewhat like:
Shade - 50/50 mix Shade/Base - Base - 50/50 mix Base/Highlight - Highlight
In general what I'll give you in this tutorial is the three colours as if used as simple triads. If you prefer the more elaborate approach just add in the intermediate steps mentioned above, or start from an even darker Shade or end with a lighter Highlight.
If fractions in brackets are given these are just approximations. Just try what looks best to you.
Note: I haven't documented every single step for this Colour Guide, so you might want to refer to some of the guides I wrote earlier. To do so just go to the top of the page where you'll find a link to a page containing direct links to all the Colour Guides I wrote to date.
Step 1: Battledress
Most commercially available Paratrooper figures out there will probably all sport the famous Denison smock. So this step will basically only ever concern us for the trousers of the battledress.
A: VMC 70.941 Burnt Umber
B: VMC 70.983 Flat Earth
C: VMC 70.983 Flat Earth + VMC 70.819 Iraqui Sand (1/1)
Step 2: Denison Smock Base
As usual I went a little lighter on the base colour than is historically accurate. This will help the figures to stand out a little more on the gaming table. And you can always blame fading.
A: VMC 70.873 US Field Drab
B: VMC 70.873 US Field Drab + VMC 70.819 Iraqui Sand (7/3)
C: VMC 70.819 Iraqui Sand + VMC 70.873 US Field Drab (7/3)
Step 3: Webbing
I used to use different colours for ruckscks, gaiters and other webbing but found the overall effect wasn't worth it. After all the webbing worn by British troops in WW2 (and well after) was blankoed by the soldiers themselves. Thus I think it's highly unlikely for a soldier to carry equipment in such different hues that it'd really stand out on a 28mm figure.
A: VMC 70.924 Russian Uniform
B: VMC 70.924 Russian Uniform + VMC 70.819 Iraqui Sand (8/2)
C: VMC 70.819 Iraqui Sand + VMC 70.924 Russian Uniform (7/3)
Step 4: Camouflage Patches
In order to recreate the faded look to the camouflage patches that is so emblematic of the Denison Smock I use glazes. A glaze is paint highly diluted with a medium (e.g. water or even better a Glaze Medium) to a point where it gets semi-translucent. One drop paint to about four drops of medium should be sufficient. Then the wet brush is dragged over a piece of kitchen paper until it's almost dry.
Now draw the moist brush in random strokes all over the smock. In fact it actually makes sense to do this step before painting the webbing equipment. Should the paint be too translucent for your liking just go over it again when the first layer has dried sufficiently. After this use the other colour and repeat the process. Make sure to let the colours overlap in some places. The nice thing about glazes is similar to washes the shading will happen automatically.
Glaze A: VMC 70.975 Military Green
Glaze B: VMC 70.982 Cavalry Brown
Step 5: The Red Beret
In fact the Beret should be more maroon than a bright Ferrari red, something Tamsin let me know back when I did my first Paratroopers all those moons ago.
A: VMC 70.814 Burnt Red
B: VGC 72.012 Scarlet Red
C: VMC 70.946 Dark Red
Step 6: Helmet Cover
Unlike the German Wehrmacht which often used helmet covers with printed on camouflage patterns the British used netting to disrupt the shape of their helmets.
A: Wetbrush VMC 70.975 Military Green
B: Drybrush VMC 70.924 Russian Uniform
The scrim (?) came in many different colours ranging from a dark green over a deep, reddish brown to almost beige. For sake of contrast I decided on a light, almost beige brown.
A: Wetbrush VGC 72.062 Earth (VMC 70.983 Flat Earth works just as well)
B: Drybrush VMC 70.819 Iraqui Sand + VGC 72.062 Earth ( 7/3)
Step 7: Rifle stock
As I changed over from Foundry to Vallejo paints I also had to look for a replacement to my trusty Spearshaft triade which I previously had used for almost anything wooden. So that's the closest I came up with to date (Don't know why there's Flat Earth instead of Beige Brown in the picture).
A: VMC 70.940 Saddle Brown
B: VMC 70.875 Beige Brown + VMC 70.843 Cork (8/2)
C: VMC 70.843 Cork
So another Colour Guide done and just a few hundred left before I've finally covered any uniform variation worn during WW2. If you found this guide useful, have a question or remark concerning this or earlier colour guides or you'd like me to do a particular colour guide in the future just let me know in the comments below.
11 January 2020
Early War German Colour Guide
My painting style is based on the so-called Triad-System or Foundry System in which you use a Shade as the darkest colour. Then you paint over it using what is called a Base Colour (in general the actual colour you want to achieve for the piece you're just painting) leaving the Shade show only in the folds and recesses, followed by a Highlight on the points which will catch the most light. However, I'm using intermediate steps to make the transitions between the different colours much smoother.
Thus typically the steps I use would look somewhat like:
Shade - 50/50 mix Shade/Base - Base - 50/50 mix Base/Highlight - Highlight
In general what I'll give you in this tutorial is the three colours as if used as simple triads. If you prefer the more elaborate approach just add in the intermediate steps mentioned above, or start from an even darker Shade or end with a lighter Highlight.
If fractions in brackets are given these are just approximations. Just try what looks best to you.
Note: I haven't documented every single step for this Colour Guide, so you might want to refer to some of the guides I wrote earlier. To do so just go to the top of the page where you'll find a link to a page containing direct links to all the Colour Guides I wrote to date.
Step 1: Helmet and trousers
This one is rather straight forward as I use basically the same colours for both items only in different mixes. Actually the helmet should be in a very dark greyish green, almost similar to field grey, but I liked the stark contrast more so went with a dark grey. This and it also looks more teutonic ;-)
Also I went deliberately a little too dark on the trousers, so you may very well start with a lighter shade depending on the look you're after.
Helmet
A: VMC 70.995 German Grey
B: VMC 70.995 German Grey + VMC 70.900 French Mirage Blue (7/3)
C: VMC 70.995 German Grey + VMC 70.900 French Mirage Blue (5/5)
Trousers
A: VMC 70.995 German Grey + VMC 70.900 French Mirage Blue (5/5)
B: VMC 70.900 French Mirage Blue
C: VMC 70.900 French Mirage Blue + VMC 70.907 Pale Grey Blue (3/7)
Step 2: M36 Fieldgrey tunic
I've elaborated this particular recipe before but for the sake of simplicity it's included below. What paints to use for the bottle-green collars and shoulder tabs you'll find further below.
A: VMC 70.830 German Fieldgrey + VMC 70.950 Black (8/2)
B: VMC 70.830 German Fieldgrey
C: VMC 70.884 Green Grey + VMC 70.830 German Fieldgrey (7/3)
Step 3: M36 Reed-Green tunic
There were a myriad of different shades of Fieldgrey, especially in the late war period, but one I find especially fitting for early war is the so called reed-green. While there was a specific reed-green summer uniform later in the war it's just as appropriate for the M36 field tunic. This is especially the case when considering the early uniforms generally having been on the greener side of the spectrum while later uniforms often were more brownish.
What paints to use for the bottle-green collars and shoulder tabs you'll find further below.
A: VMC 70.920 German Uniform + VMC 70.995 German Grey (2/8)
B: VMC 70.920 German Uniform
C: VMC 70.920 German Uniform + VMC 70.919 Iraqui Sand (7/2)
Step 4: Bottle-Green collar and shoulder tabs
Specific to the early M36 field tunic were the collar and shoulder tabs in so called bottle-green.
Step 5: Litzen and other insignia
For the so called Litzen, i.e. the collar patches, and other insignia like the National Emblem or the NCO's collar braid I went with just
Regular readers of my blog may have noticed a change to the way I paint Caucasian Flesh, especially compared to earlier guides like *here*. This is mainly due to my switch away from Foundry paints and firmly towards Vallejo.
I use roughly around seven layers to get the result I'm after, so a fair bit of mixing is required to get the smooth transitions I prefer today.